Let’s end our 2011 PUG year with a bang and get together for food, fun and a little bit of planning for 2012!

We will be meeting on December 28th at 6:30 p.m. at The Sonora Grill in Ogden!  The PUG will be providing chips, salsa, drinks and hors d’oevres!  Let’s review 2011 and talk about the upcoming 2012 year and what kind of topics, meetings and events you would like to have for our Salt Lake City PUG! This is your chance to have your voice heard!

The address to The Sonora Grill is: 2310 S. Kiesel Ave. Ogden, UT 84401

PLEASE RSVP so I know how many to count on!  andrea@andreahanksphotography.com or 801-349-0718.

Happy Holidays and here’s to having a wonderful 2012!

This article was originally featured on Pictage’s Blog and I loved the two different philosophy’s discussed here about turn aroudn times. Please feel free to leave a comment on what you do, or as a client what

Let’s bust a myth. There’s no right way to run your photography business.

Many self-proclaimed leaders make a boatload of money selling formulas for running your business. Well, here at The Photo Life, we don’t believe in secret formulas or overnight success stories. We believe the only right way of doing business is the one that serves your unique clients and grows your business the old-fashioned way. Hard work and happy clients are your foundation for success.

Different systems work for different studios, so the key is finding one that suits your clients and your business!

That’s why we’re eager to bring you the first of many “Town Hall Debates” here on The Photo Life. Town Hall Debates are a fun way of giving you an opportunity to learn how others do business.

This week’s debate is all about turnaround times. Kevin and David run successful businesses. Their systems work for them and their clients. Yet their viewpoints are very different. Do you agree or disagree, based on your unique business experience? Weigh in by leaving comments below!

MEET KEVIN SWAN

“Speed trumps quality in the real world of delivering images to wedding clients. Every hour that passes after the event makes your hard work less relevant. Learn to move faster.”

Photographer Kevin Swan

Kevin came out of a grueling 15 years in advertising, applying his hard-won experience to launch Swan PhotoKISS Books, and now Black Swan.

Wedding Photographer Kevin Swan

MEET DAVE WITTIG

“Yes, McDonalds can get you a burger in under 60 seconds, but I don’t think McDondalds is on most people’s list of favorite dining experiences.”

Photographer David Wittig

Chicago-based wedding photographers David Wittig and Nancy Beale, have been working side-by-side, capturing weddings and transforming them into art for the last ten years. Their own relationship, a myriad of friendship, partnership and marriage, aides their images, providing two perspectives of a singular moment—what can often be the most important moment of your life. Dave and Nancy have shot weddings from Maine to California, from India to France, and are always excited to add another stamp to their all-ready full passports. Their work, which examines a documentary feel and editorial style, is heavily influenced by their fine art backgrounds and training.


Wedding Photography by David Wittig

1) How quickly do you deliver images to your clients? What is your method for delivering the first images?

KEVIN’S ANSWER:

  1. Saturday: Slideshow at the reception, typically we present 30-50 images with quick edits done in LR or Aperture.
  2. Monday: 5-10 favorites images – usually from slideshow – posted to Facebook and tagged.
  3. Thursday: Draft #1 of clients’ album is presented online – approximately 100 images – without the ability to comment. We use SWAT’s “public” slideshow feature.
  4. Monday: Balance of clients’ images released online for them to start making album edits.
  5. Monday: Send clients a link to the slideshow where they can make comments and edits. We use SWAT’s “approval” slideshow feature.

There are many reasons for my workflow, but they center around album sales. My clients average $6-10k in album purchases on top of my shooting fees. By only giving them a small taste of their images (the Facebook post), when they see their album draft a few days after the wedding, they’re blown away!

I choose my favorite images and design a spectacular book. If you let your client choose the images, they typically take a long time and often pick mediocre shots because they’re inexperienced and choosing for political/family reasons—not for aesthetics. In my opinion, it’s a burden on your client to force them to choose their favorites for the album. They’ve put enough effort into making decisions for the wedding. As professionals, we should help and guide them—not drop more work in their laps!

It’s easier to edit a designed album than it is to start from scratch. By enabling clients to view their album early, they’re still emotionally engaged with their images. While the rest of the images are uploading to an online service to display photos and sell prints, your clients watch the album slideshow again and again, imagining it as their book more and more. By the time other images are ready to review, the clients are ready to make a few changes, but it’s tough to cut the album down any significant amount.

Customers all know what’s possible; they know how fast things can turn around. They want images on their phones and on Facebook sooner rather than later. Uncle Bob is at their wedding, and he’s shooting photos with his phone or his Rebel XTI and posting them on Facebook the same day. By the time you play around with your images, add your special sauce, make the white balance perfect in every photo, run noise filters, sharpen edges, and so on, your photos become irrelevant. You can post them to Facebook, but people are like, “Oh yeah, I remember that. Already saw it.”

The bride prefers high-quality images, but she’ll take whatever is first. The streams of Twitter and Facebook are living things, and whatever is NOW is what matters most. Posting images a few weeks later is far less important, impacting or valuable. Since Facebook is becoming the operating system of the web, I believe our businesses need simple, direct tie-ins. For example, I post slideshows directly onto my Facebook wall using SWAT. My goal is to make it simple for clients to post images on Facebook that are automatically tagged to me and my sites. This extra marketing results in additional bookings. I’d never suggest giving your clients mediocre work; the trick is learning how to produce excellent work quickly.

Speed trumps quality in the real world of delivering images to wedding clients. Every hour that passes after the event makes your hard work less relevant. Learn to move faster.

Wedding Photographer Kevin Swan

DAVE’S ANSWER:

The full set of images is usually completed in 8-10 weeks. During our busiest times, it is usually 10 weeks.

Clients get a preview of images on our blog about 4 weeks after the wedding. At this point we have  culled all of the final images and have gone through that set and selected 10-15 images that really stood out to us. It’s not an overview of the day, just the very best images. Then 6-8 weeks after the wedding we post a slideshow (using a service called Fotagraft.com) on our blog of about 100-150 images (depending on the event).

Wedding Photography by David Wittig

2) How quickly do you deliver physical products to your clients?

KEVIN’S ANSWER:

If they approve the album within a few days of receiving the first design, I can have the books in their hands within 3 weeks of the wedding. Plus, I have financial incentives in place to help prompt clients to make decisions quickly. I focus primarily on books, not on canvases or prints.

DAVE’S ANSWER:

As soon as we have completed editing the full set of images, clients can begin the ordering process. From this point on, the biggest factor in turn around time is our client’s response time (which varies greatly), and our vendor’s production times. Our albums take 8-12 weeks to print and bind, and canvases take a week from ordering time. Because we have everything all edited the ordering process is quick and easy.

3) How do you communicate turnaround times to clients? Do you explain your philosophy to them?

KEVIN’S ANSWER:

I always under-promise and over-deliver. KISS turns albums around in 2 weeks, so I tell my clients 5-6 weeks. This way, if something goes wrong, I have time to start over and still meet or exceed their expectations. If everything goes right, I get to blow them away by delivering earlier than anticipated.

DAVE’S ANSWER:

Yes, we consider the time and care we put into individually preparing each image to be an important selling point, and a differentiating factor from a lot of our competition. We want our clients to know that we spend more time on their images than others, and as a result the process takes longer. We discuss this in our first consultation with them. Most of our clients readily understand that speed almost always has a negative tradeoff. Yes, McDonalds can get you a burger in under 60 seconds, but I don’t think McDondalds is on most people’s list of favorite dining experiences.

4) Do you outsource your post-production or do you do it yourself in-house?

KEVIN’S ANSWER:

It’s a mix. I have an editor in-house, but I also do my own editing. I’ve also used Photographer’s Edit, which I enjoyed, but the turnaround time didn’t work well with my desire to get albums online the week after the wedding. Album design used to be entirely outsourced because it was a nightmare, but with SWAT, I’ve gone back to doing it myself.

Wedding Photography by Kevin Swan

DAVE’S ANSWER:

No, we do everything in-house ourselves. We do not outsource our post-processing. While there are certainly advantages to outsourcing post-production (principally in terms of speed and cost), we have been unable to find any service that has an acceptable degree of quality and consistency. Admittedly, we have very high standards, but so do our clients. Trading quality for speed or cost savings is not in the best interest of our clients, even if it would lighten our workload. When you think about the fact that we are preparing images that will likely last multiple generations – 100 to 200 years, it seems absurd to sacrifice even the slightest bit of quality get things 3 or 4 weeks faster. 150 years is 7800 weeks, which means that when we are discussing 4 weeks we are talking about .0005 or less of an image’s lifespan. All the arguments I’ve ever heard for outsourcing relate to how a photographer’s life is made easier, or how their profitability increases, you never hear about why it might be better for a client. I believe that’s because it isn’t better for a client (unless the photographer is simply bad at color correcting).

Wedding Photography by David Wittig

5) Do you use Lightroom and Photoshop? Or just one or the other? Why?

KEVIN’S ANSWER:

I’m versed in Lightroom, Aperture and Photoshop. We don’t use Photoshop in my studio; it’s too slow. I personally prefer Aperture, but  we use Lightroom frequently too.

Aperture has a more consistent, pleasing UI—which is very important to me. If you’re using a program for several hours at a time, the better it looks and feels, the more enjoyable your task becomes.

DAVE’S ANSWER:
Neither, we use Aperture and haven’t opened Photoshop in months. Photoshop is an extremely inefficient way to edit large quantities of images (and even small numbers of images). We can do everything we need to in Aperture, from culling, color correcting, adding film grain, and album design, to organizing, categorizing, backing up, and archiving our images. It may not be the absolute best in each of those categories (though it’s usually the in the top 2) but the efficiency that is gained by having one highly integrated tool is very worthwhile.

Do you agree or disagree, based on your unique business experience? Weigh in by leaving comments below!


Hello there!

It is Novemeber, and the days are getting shorter. Daylight savings time is now in effect as well and as photographers we all know the optimum time for shooting ends much earlier than we would like for outdoor portrait sessions! Because of this, I have decided to move our PUG Meeting to Saturday, November 26th at 11:00 a.m.

Because this meeting will be held at a private residence, PLEASE message me for directions and an address. It is in East Layton, Utah.

Topics we will be covering:

New Pictage Products and Services (There are a BUNCH! YAY!)
How to obtain a correct white balance in the snow
How to coreectly espose subjects properly with snow
and How to photograph moving subjects.

We have the FABULOUS opportunity to photograph two hourses, a model in a red cape with white fur trim and hopefully we will have oodles of snow as well!

If you are in town after Turkey Day and need some inspiration, please join us and bring a friend!

Andrea

To see the article online click here.

 Lily Bride Designs

PURE . SIMPLE . ELEGANT . Follow my adventures in taking the Utah Bridal market by surprise with my unique wedding gowns and accessories.

Thursday, July 7, 2011

Updates! on photos that is!!


I need and want to take some time to credit all the awesome photographers who helped me create these beautiful images for my portfolio this last year. I have worked with some truly gifted artist, I’m so grateful for the time they put into making my gowns look their best. So each week, I will post a new post featuring work from each of these photographers and why I think they totally rock! So above are some the wonderful work I have received in using my first featured photographer…….

Andrea Hanks Photography:
Andrea has quickly become a well know wedding and fashion photographer, a great friend as well as someone who I completely trust in my vision for each project I work with her on. She is so much fun to work with and really makes an effort to take on my angles, (even when they don’t work!) I would highly recommend her to trust with your one special day. She has been flown out to many destination weddings and is a house photographer for LookBookLA.com and attends both fall and spring fashion week to snap shots of LA’s fashion elite and its’ up and coming star designers.
You can view more on Andrea’s work on her website, by clicking here.

To see this article online go here.

Lily Bride Designs

PURE . SIMPLE . ELEGANT . Follow my adventures in taking the Utah Bridal market by surprise with my unique wedding gowns and accessories.

Tuesday, May 10, 2011

The fabulous Andrea Hanks, helped me create these beautiful images last month; so I could have some amazing images for my portfolio for the fantasy tutu I created for Ballet West’s fundraiser. I was chosen to create the tutu earlier this year and after a sleep-less night or two to figure out how to sew up that amazing skirt, this is the end result.


The model who wore it at the fashion show asked me what inspired me to make the tutu. I was inspired by many things, using what I had on hand, a friends wedding dress I recently altered, Film Noir and I wanted to use feathers, as I was entranced by all the beautiful tutus the costume designer made for the Oscar nominated film The Black Swan. Here is the blurb I attached to the sketch I turned in.


This asymmetrical designed two-piece corset and skirt in iridescent red taffeta, and black tulle skirt in descending layers and feather accents is inspired by old Hollywood, and features a playful twist on the classic tutu. The bodice is ruched with bias strips folded to add dimension, an off the shoulder fan of tulle and feathers nicely frames the décolletage bringing the eye to the mini full circle skirt with it’s descending and angled layers of black tulle.

To view this online go here.

Candlelight Video

This is a video from two of our photographers, Andrea Hanks & Nathan Pickett at Candlelight Serenade 2010

Candlelight Serenade from Nathan Pickett and Andrea Hanks.

My photos were featured online for Jessica Serfaty! To see this article online go here.

To learn more about Cycle 14’s Jessica Serfaty, visit her bio page here.

Photo credit: Andrea Hanks

Contributors

Fashion News Live is the ultimate online resource to find exclusive celebrity and fashion designer interviews, beauty tips, industry updates and much more. Unique in its format, Fashion News Live seeks out interviews and behind the scenes access to bring the online community into the worlds of fashion and entertainment.. Video blogging and syndicating our content to outside networks on Joost, Glamtv, and Blinkx has enabled Fashion News Live to have a reach of over 500,000 unique visitors a day.

Fashion News Live is so successful that it consistently ranks in the top 10 on Google’s search engine which includes over 157,000,000 million sites related to fashion news.  Fashion News Live has attracted a diverse following seeing as we cover every aspect of the fashion industry from shopping, to trends, to events.. we’ve got you covered!

 Rocco Leo Gaglioti

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Rocco Gaglioti is a self-made triple threat — creator, producer and host. He founded the televised on-line fashion magazine,FashionNewsLive.com, which almost overnight has become ranked as one of the top ten out  of the 150 million fashion and celebrity sites around the world.
He hit the ground running in 2004 with his very first interview on the red carpet with Anna Nicole Smith. Not bad for a rookie. And the fact that she tried to make out with him didn’t even scare him away from pursuing his lifelong dream of working in the fashion industry. But making dreams come true takes more than good looks and charm.  It takes hard work and determination as well.

Even though he makes it look easy, Rocco came from humble, though very loving beginnings. He learned to communicate with his hands through sign language before he could even speak because of his mother, who was born deaf. This naturally gave him a lifelong appreciation for the underdog, along with the advantage of a much more enhanced “sixth sense”.

Being in the right place at the right time doesn’t hurt either. And so it was a Miami model scout with an obvious eye for spotting talent who advised Rocco in 1994 to try his hand at modeling. Miami quickly turned into Milan and Paris, which turned into New York and the rest is history as they say.

Within a short time, he was signed with Boss and Zoli. Rocco wanted more though, and it was when he picked up a camera in Germany that he discovered his own eye for photography. He was a natural behind the camera, impressed several major publishers and soon after secured gigs from Maxim Magazine and Ocean Drive. But the model-turned-photographer still wasn’t satisfied.In 2000 he moved to Orlando, founded his own production company, RLG Productions, Inc., and set up shop at the back lot at Universal Studios.

His vision for a unique televised fashion magazine format was soon picked up by the now defunct UPN and maintained a strong presence on the network until its demise.He quickly transitioned his vision into an online media empire, which continues to grow and thrive today as he provides a steady stream of compelling entertainment and fashion content for millions of fashionistas around the world.

The 6’3” former model may dress from head to toe in Marc Jacobs and Gucci, but that is not what makes him fashion’s latest “It Guy”. It’s more than likely the combination of his soulfulness, his uncanny ability for discerning the next big thing and his beguiling quintessence that landed him on the pop culture radar and will undoubtedly make him a household name.

And with his eye on television or radio as a next step, the rising star is certainly not going to slow down anytime soon. Rocco currently resides in Los Angeles, California. For more information on Rocco or to arrange an interview, please contact his publicist found on the contact page.

 Jewel Mignon

JewelV2

Jewel Mignon was born into a family of fashion lovers. Unfortunately, Jewel didn’t fit in as a child, so she was sent to live at the School for the Socially Awkward and Fashionably Upsetting.  It was in the thirteenth year of her education, in her “Super Senior” year, that Jewel finally had a fashion epiphany. After graduation, Jewel‘s mission in life was to find fashion errors and correct them.Zealous in pursuit of her new found calling, shoppers at WalMart, United States Postal Workers and Strangers on the street would find themselves getting a complimentary “Make Over By Jewel”. Luckily, Jewel’s friends heard about this and Jewel is now nicely settled into a very “Special” cottage and can blog about fashion and shoes to her heart’s content. Jewel blogs for Fashion News Live when she is not pursuing her new hobby from the balcony of her suite after getting a pair of night vision binoculars. You can check out her other blog called “guesswhatmyneighborsaredoingnow.justkidding”

Angela Simmons

angela-simmons

Angela Simmons is the star of two Hit MTV Shows: “Run’s House”, in which America gets an insider’s look at the lives of the first family of hip-hop, as well as her own MTV Show,” Daddy’s Girls” chronicling Angela and her sister’s jet-setting bi-coastal lives as they navigate Hollywood and step out as role models for their millions of young fans.At 23, Angela is the second eldest sibling in the Simmons family and has already accomplished a great deal both personally and professionally. She graduated from the High School of Fashion Industries and has continued to pursue fashion by attending the world-renowned Fashion Institute of Technology in New York City.

That same year Angela and her sister Vanessa founded the ultra-popular clothing, sneaker and handbag/accessory line PASTRY, which has catapulted into a million dollar brand and has become a hit with girls across the country. The success of Pastry has established Angela into a fashion powerhouse and entrepreneur in her own right.With international appeal, Angela alongside her sister Vanessa have graced the pages of PEOPLE, ESSENCE, TEEN VOGUE, SEVENTEEN, VIBE, OK! Weekly, Star Magazine, US Weekly, InTouch Weekly, Life & Style. They’ve appeared on THE WENDY WILLIAMS SHOW, ENTERTAINMENT TONIGHT, ACCESS HOLLYWOOD, EXTRA, GOOD DAY NY, FOX BUSINESS and many more media outlets. They turn heads on A-list red carpets such as The EMMY Awards, MTV Video Music Awards, NAACP Awards and New York Fashion Week.In addition, Angela is committed to empowering and uplifting young people and have become an ambassador for the Children’s Miracle Network – visiting children in hospitals and providing them with hope and inspiration.

Andrea Hanks

andrea Hanks

Leaving small town Utah at the age of 15, Andrea launched her career as a model in Europe where she worked the catwalks, graced the pages of catalogues, and adorned magazine covers in Milan, Paris, Hamburg, Munich and Switzerland.  While modeling, Andrea recognized her talent behind the camera and mentored a new generation of models by working at a local modeling agency as a runway instructor as well as a booker and a photography coach.  Before ever picking up a camera, she critiqued thousands of photos allowing her a greater awareness of what she wanted to create through the lens.

Currently, Andrea balances her efforts between the demanding schedule of both local and international destination weddings, and her roles as a freelance and contracted photographer.  Her work has received positive peer reviews from David Beckstead, one of the top ten wedding photographers in the world, on her work.  She is currently the Utah representative for a national photo product firm where she coaches other photographers.

Andrea has worked LA Fashion and NY Fashion Week where her photos have landed on magazine covers as well as in Apparel News. She has worked with many music artists, such as Nelly, 50 Cent, Snoop Dogg, Mike Posner, Nikki Lund, Richie Sambora, Christina Milian, Brian McKnight, Vanilla Ice, Far East Movement, Slash of Guns and Roses and most recently Grammy Award Winner Jonny Lang to name a few. Andrea was the house photographer for The House of Blues this past year at The Sundance Film Festival and was also the photographer for many private venues during the film festival.  Andrea has photographed many celebrities including Heather Locklear, Brody Jenner, and Kyle Korver along with many others backstage as well as on the red carpet.

Andrea’s success stems from not only her technical and creative abilities but her ability to connect with people.  She has a natural, effortless way of making those whom she is photographing feel at ease, and it comes through in her photographs.

Kristian Weathers                                                                                           

Kristian Weathers
Kristian was born in Sarasota, Fl. And raised in HighPoint, NC. Her modeling career began in diapers at the ripe age of 2. She began acting and dancing by the time she was 4 and has performed in numerous commercials, indie films and theater productions. Her passion has always been with Shakespeare. In 2003 she graduated from North Carolina School of the Arts with a concentration in theater where she studied an array of techniques. She has traveled the world, lived in New York amongst many other cities throughout the country and now resides in the Los Angeles area. Her lifelong affair with fashion continues with Fashion News Live as one of their hosts

Juliana Shadlen

juliana shadlen

Juliana Shadlen is a West Coast-East Coast girl. Born in Providence, raised in Palo Alto and Seattle, now in the Big Apple.Her multifaceted background has trained her eyes to perceive multiple points of view at once. A central driving force in her art is exploration of her complex identity. In 2005, she accompanied her mother on a medical mission with the non-profit Haitian Health Allies and helped in various aspects of the production. This documentary was used as a vehicle to inform the public about the plight of people infected with HIV in Southeast Haiti.On January 20, 2011 Juliana sat in the audience at Lincoln Center in NYC watching a screening of the documentary “Grace Paley: Collected Shorts.” As she shared the experience with the audience, she knew that this was indeed her calling. She had something to say, and these mentors were helping her shape her vision.To build on these experiences, she is now a camera operator and video editor for Fashion News Live. The host and founder of FNL Rocco Leo Gaglioti does edgy celebrity interviews with provocative guests such as RuPaul, Kim Kardashian, and Joan Rivers. Fashion News Live is a well-oiled machine that is the “go-to” site for fashionistas. Fashion News Live is a perfect match for Juliana who gets to exploit her innate sense of fun with style and penchant for extreme fashion.

Veronica Staehle

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Veronica Staehle is a very dynamic female who loves to connect and intertwine all sorts of things into one gracefully unified outcome. Currently attending The Fashion Institute of Technology, she is studying Graphic Design with higher hopes to master the craft of visual communication in all intentions of the term.
The spark for her interests in aesthetics, design, and communicating visually comes from her bilingual, duel cultured background. Raised by two incredible Deaf parents who bred and instilled a sense of pride and empowerment she grew up fully embracing Deaf Culture and American Sign Language (ASL). Their passion and lessons became the foundation behind Veronica’s involvement with the Deaf community and Interpreter field; She learned early on that her Child Of Deaf Adults (CODA) identity would not just be a role to hold, but a beautiful detail of herself she loves to share and express. She has lived in several cities domestically and internationally and never seems to lose interest in finding new things to grab a hold of and become inspired by. It’s this sense of unlimited possibilities and delight found in anything provoking her to work harder to find something she’s never seen.

Sean James

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Sean James was born and raised in Australia, where his career as a hairstylist began to flourish when he trained with Australia’s leading hairstylist Oscar Cullinan. In 1989, Sean moved to London where he trained with Vidal Sassoon. A few years later in 1992, Sean moved to Los Angeles, where
he became an educator and color specialist working at the Los Angeles Flagship store for L’Oreal. In 2001, Sean was brought on as a valued member of the prestigious creative team for Redken, where he began doing many years of fashion weeks in Los Angeles, New York, and Paris.

Sean has worked with celebrities such as Jaime Pressly, Jamie Lee Curtis, Rufus Wainwright, Emily Blunt, Rita Wilson, Lindsay Lohan, Jamie Chung and many more. He works consistently on films, commercials, television, advertising campaigns, and he is sought after all over the world. Most recently, Sean was a member of the exclusive Balmain team as the US representative at Paris Fashion week and has just come back from NY fashion week , where he lead the Rusk team or the Monarchy collection . He has been featured on the E! newtork, the Style networks “How do I look” And is a panel member on “Beautyfix” a Nation wide product review, The Oprah Winfrey Show, and MTV’s The Hills. He has also been featured in world renowned publications such as Harper’ Bazaar, InStyle, WWD, The New York Times, and More, just to name a few.

Sean’s adventures in hair are ongoing and groundbreaking as he continues to have a drive to explore the new and exciting ways to express inner beauty through the ever growing medium of hair. Sean’s mantra as a true artist is “explore yourself and express your inner beauty.”

 Elaine Lancaster

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As if she stepped right out of the pages of a Jackie Collins novel, Elaine Lancaster is as glamorous and beautiful as the characters of Hollywood Wives. Elaine Lancaster was actually named after two characters from that very novel, Elaine Conti and Karen Lancaster.  As befitting a Jackie Collins novel, Elaine’s life has been filled with glamour, travel, celebrities and a few twisted scenarios.  One being the fact that the gorgeous Elaine Lancaster is in reality a man when not performing.

The actor (James Davis) behind Elaine was born in Alabama and raised in Georgia, while Elaine was born in the lap of luxury, pampered by all, and spoiled rotten. Like the true diva she became, she managed to spend every dime thrown her way developing an unquenchable quest for more. Not just more jewels and designer fashions, luxury brands, but more of everything. Driven by the need to live life in the spotlight, fame had to be hers so the world became her stage.

Elaine is a Style & Beauty icon, as well as an Advice & Lifestyle columnist for Miami Monthly Magazine. She’s in demand as a hostess all over the world in clubs, for charities, DJ & emcee. Elaine travels the Globe DJ-ing for Fortune 500 companies. Elaine hosted The Aspen Gay Ski Week from 1995`2002. Executive host committee member for the Blacks Annual Gala. Hostess for the crown jewel of HIV/AIDS fund raiser since 1997, White Party Week. Louis Vuttion Global store openings.  Polo Ralph Lauren store opening. Host Pamela Anderson’s parfum launch, Malibu. Visionaire Magazine Parties. Bulgari Jewelry Store opening.  House of Field fashion show celebrity guest.. plus way too many to list.  Since 1997 has helped raise over 20 million dollars for numerous non-profit charities.

Elaine Lancaster has caused waves ever since she first landed on the sandy shores of South Beach. In less than a year the diva earned celebrity status from local to Global Diva gracing the pages of every local publication  The national glossy Genre selected Elaine as one of the top 10 Drag Queens of the decade while TIME reported on her antics hosting the political fund raiser for Janet Reno. Fresh back from Vienna, Austria where Elaine Entertained the party goers along side; Patti LaBelle, Rebecca Romijn, Jerry O’Connell, Kenneth Cole, President Bill Clinton, Whoopi Goldberg, Diane von Furstenberg, Richie Rich etc. For Life Ball 2010.  Elaine continues to spread glamour, beauty, and share the goodness of her heart with the men of the world while entertaining everyone else. Elaine lives in Miami & Aspen, but works all over the world. There is no denying Elaine Lancaster has achieved Star status through hard work & integrity. Jackie Collins would be proud to have created Elaine.

Sharon Gault

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Internationally known for her groundbreaking work with makeup, Sharon Gault has created iconic looks for some of the biggest names in show business and fashion, and in the process, defined emerging trends for two decades in modern pop culture.

At the age of 16, Sharon became very interested in photography, and later trained with Vidal Sassoon as a hairstylist.  A few years later, she discovered her passion for makeup, and chose to focus her energy in this direction.  Already a veteran of the Hollywood fashion scene, it was not until she toured with Madonna on the “Blonde Ambition” tour, and was featured in the candid documentary “In bed with Madonna” that Sharon came to the attention of the world.
To this day, many people know her simply as “Mama Makeup”, a nickname given to her by the dancers on the tour.  Sharon has collaborated with some of the world’s most acclaimed photographers including, David La Chapelle, Ellen Von Unwerth, Isabel Snyder, Matthew Rolston, Tony Duran, Richard McLaren, Michel Comte and Herb Ritts.  Her work is constantly in demand by Hollywood celebrities, who need to look their best for red carpet awards shows, interviews, and photo shoots, giving her a client roster that includes Drea Matteo, Hilary Duff, Amber Tamblyn, Jennifer Garner, Rachel Griffith, Charlize Theron, Renee Zellweger, Cameron Diaz, Robert Downey Jr, Britney Spears, Sarah Michelle Gellar, Demi Moore, Johnny Depp, Madonna, Enrique Iglesias, Cindy Crawford, Hilary Swank, Kate Bosworth, Gwen Stefani, Thora Birch, and many more.

With such a background, it is not surprising to find that Sharon’s work has featured in such renowned publications as Italian Vogue, British Vogue, Interview, The Face, Arena, Vanity Fair, ID, In Style, Glamour, Allure, Marie Claire, GQ, Elle, Harper’s, Queen, and Rolling Stone.  In addition, she has worked on music videos for artists such as Britney Spears, Lady Gaga, Elton John, Moby, KD Lang, Enrique Iglesias, Christina Aguilera, Madonna, Avril Lavigne, and The Vines.

Credits:
Location: W Hotel-Hollywood, California
Video and Edits: Tyler Lund
Clothing and Performance: Nikki Lund and Richie Sambora

To view the article on line go here.  To check out the freestyle Kosha performed about me go here and watch the slideshow!

Kosha Dillz and Freeway speak in tongues before A3C

Two MCs. Two religions. One mic.

by Rodney Carmichael @Rappin_Rodney

Freeway; Kosha Dillz

BIZ 3; ANDREA HANKS

Freeway; Kosha Dillz

New Jersey native Kosha Dillz would never be mistaken for the guy Mos Def was referring to when he rapped the now infamous line, “some tall Israeli is running this rap shit.” Despite his Jewish wink-of-a-stage name, Dillz is not that tall — nor is he cashing in on hip-hop on the same plane as former Island/Def Jam exec Lyor Cohen. Not yet, anyway. The closest the unsigned MC with a penchant for rhyming in Hebrew has probably come to seeing a fat a$$ check is when he toured the Czech Republic last year — get it, Czech Republic — with former Roc-A-Fella rapper and practicing Muslim Freeway. Though the two come from opposite sides of the religious aisle, they were both there to represent hip-hop — as they will again on the HipHopDX stage at this year’s A3C Fest. With the cross-cultural connect already established, CL eavesdropped on a conversation between them in preview of the show.

Kosha Dillz: I actually had grown up listening to you when I was about 18, 19 and it’s kinda funny because as a teen, I had come from more of a street life, too. We were listening to Freeway, doing whatever we were doing in New Brunswick, N.J., and then I had gone away and done time. Then I came out as Kosha Dillz and I became this sort of Jewish rapper, kind of iconic figure for Jewish kids. And Freeway, you’ve been one of the more successful rappers that converted to Islam and traveled to Mecca. And now we’re doing a show together and having this interview. So I just think that’s kinda ill.
Freeway: Yeah, definitely.

KD: What made you make the switch from your old life to your current life?
F: Well, you know I’m from Philadelphia and it’s basically a predominantly Islamic community that I grew up in. My mother was Christian and my father was in something kind of like a cult — it was this thing called the Nation of Alkebulan. It was this church where we talked about the betterment of black people, you know. So I was raised on that. Basically my father was the man of the household, so we had to do what he said to do. But once I was old enough, I explored religion I realized Islam is the religion for me.

KD: Are a lot of people reaching out to you as far as you becoming more publicly visible the longer you stay with it?
F: It’s people that know about me being Muslim that follow my music, and it’s people that follow my music that aren’t aware I’m a Muslim. It depends on how deep they listen and how much they observe my music, you know. But I do get people that say they’re happy to see me doing what I’m doing, and I do get people that say I need to leave that music alone. So it comes from both angles.

KD: I went to Jerusalem to learn how to Yeshiva — kinda like when you went out to Mecca and made the Hajj, Jewish kids go and study with rabbis and scholars and that’s a good place for me to create a lot of cool music in Israel. Is there any place like that that you might go, like take six months off to go study?
F: I definitely have plans to go back to Saudi Arabia and perform another Umrah and a Hajj. And definitely, I’m sitting down and studying with some people.

KD: Do you think you’ll record out there?
F: Oh naw, I don’t think I’ll be doing any recording out there. The thing that I do when I’m out there is I try to talk to the kids in that country and let them know how blessed they are in the Holy Land. ‘Cause a lotta kids over there look at the things we’re doing over here and think that it’s better than what they’re doing. When, in all actuality, it’s better where they’re at, ’cause they’re right there in the Holy Land where the Kaaba is, they’re in the land where we pray to, they’re in the land where all the scholars are — whereas we have to travel 15 hours on a plane to get over there, you know what I’m sayin’?
KD: For sure.

F: Do you feel like you’ve got more to prove to fans who might prejudge you based on what they see?
KD: Yeah, I just don’t think that Jews have had the largest success at being dope MCs. I mean, [we] had MC Serch and [we] have the Beastie Boys. I kinda have a lot of barriers, but I think persistence, commitment and perseverance is something that I want to [use to] prove myself. I’ve always been in that boat — always being doubted when I step into the arena.

F: Yeah, that’s like me. When I first got in the game I was counted out. They told me wouldn’t nobody want to hear a whole album of my raps cause my voice is annoying. I heard all kinds of stuff: Like I was the first rapper with a beard, young guy with this, like, weird Islam — it’s a lot of stuff that I’ve overcome, so I feel you.
KD: I always like the odd-ball-out because I’ve always been the odd-ball-out. I was at Rock the Bells and RZA brought me on stage and people were backstage thinking I was like his lawyer or something. So it’s always like something to prove. Do you think you would ever go and study in Israel, because the Golden Rock is out there and it’s the third holiest site for Muslims out in Israel?

F: Definitely, if the opportunity presented itself.
KD: I think it would be really cool. Everyone really knows you out there because Israel’s really big on that level of hip-hop. You would be the most prominent figure from hip-hop and Islam to study there, so I think that’d be a really cool bridging the gap, and positive even for Israel.
F: That’s what’s up, man.

KD: Have you had a lot of Jewish friends, like just around the way?
F: In Philly it’s not really a lot of Jewish people. In my hood it’s either you’re Christian or you’re Muslim. I mean I’m sure it’s Jewish people there, but they’re not on the forefront like that so I didn’t really have too many Jewish friends growing up.

KD: Well I’d love to invite you over for a Shabbat dinner or something like that when you come out to L.A. If there’s anything you want me to find out for you while [I'm] in Israel, if I can help you get out there with some of the Muslim dudes — [the rapper] Shine’s out there studying, so we could get the whole thing going on, you know.
F: Definitely, I’m open to it so we’ll do it.

KD: Freeway, man, let’s build. Let’s try to bang out a joint and shock the world, you know.
F: Definitely.

See full schedule of A3C Hip Hop Festival performances, panel discussions and demos atwww.a3cfestival.com.